The flashback is a
literary plot device that allows the depiction of events that occurred before
the beginning of the narrative. Its primary purpose is to clarify a hitherto
unexplained part of the plot and its secondary purpose is to add a bit of
suspense and mystery to the literary work. Over time, it has been employed for
other purposes such as depicting a false account of events as narrated by one
of the characters. In the very recent movie, Vantage Point (2008), it was
used to depict accurate but different perspectives of the same event thereby
creating a sense of mystery. It has also been used in many TV series but of
late, I feel the technique is being over-used, abused and excessively relied
upon.
LOST is one of the greatest series to grace television in
recent times. It had many facets and dynamics but its use of the flashback
technique was one of them. The use of flashbacks in LOST became iconic. This is
in part due to the sound effect that played just before any flashback scene.
Since then, writers and producers of many TV shows have gone on to incorporate
flashbacks into their narrative style. It has pretty much been a hit or miss
affair. That said, what we have today is a sorry state of affairs. What I do
not understand is why these writers feel compelled to use them if they have no
use for them. After all, shows like 24, Desperate Housewives and
Fringe were very good shows and they hardly ever used flashbacks.
However, recent shows like Nikita (Seasons 1 & 2), Revolution
and the cancelled Alcatraz (thankfully) are all good examples of bad uses
of flashbacks. At times, the writers see it a means of escape; using flashbacks
to plug/resolve plot holes and inconsistencies. The little I watched of The Following also included way too many flashbacks; most of which didn't really provide any
new or meaningful information to the viewer/audience.
Shows like Person
of Interest, Arrow, and for the most part, Scandal and the
third season of Nikita are series that make proper and efficient use of
flashbacks.
Writers and producers must understand that what works in A will not necessarily
work in B. They also need to remind themselves that too much of anything is
bad, most especially if used without skill. Every character has a backstory but
not all backstories need to be shown. Some could simply be explained in speech. Citizen Kane is one such movie that depicted skill in the use of
flashbacks and has for that and other reasons secured its place as a seminal
piece of cinematic history. Creations like Citizen Kane and LOST
don't come along very often.
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